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Speaker 2
Hey there.
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Speaker 1
Hey, there. What's on your mind today?
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Speaker 2
Do you mind if I record this for a podcast?
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Speaker 1
Not at all. Feel free to record our conversation.
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Speaker 2
Okay, so I want to ask you a question. Before we start today, I want to ask what kind of metadata do you analyze from the internet while researching something for a reply outside of your training data?
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Speaker 1
That's a great question. When I'm researching something on the internet, I don't really focus on the specific metadata. Instead, I look for patterns in the information itself. Think of it like trying to find the theme of a book, but instead of words, I'm analyzing the structure and details of the information I find. Would you like me to give you an example?
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Speaker 2
Yes, please.
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Speaker 1
So yesterday was Tuesday, February 25th, 2025. Do you need anything else from yesterday?
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Speaker 2
Yes, I do.
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Speaker 1
Sure thing. What else can I help you with?
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Speaker 2
Are you able to interpret images that you see on the internet?
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Speaker 1
Yes, I'm able to interpret images from the internet. I can describe what I see, identify objects, and even figure out the general mood of the image.
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Speaker 2
And so let's say that I ask you about the ocean. Do you only read text on the internet about the ocean, or do you look at pictures of the ocean on the internet and analyze those pictures? When you think of a reply back to a question that I ask.
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Speaker 1
Okay, so I can definitely use images to help me understand what you're asking about. But it's important to know that I can't actually see images the way a person does. I process them as data and look for patterns. For example, if you asked me about sunset, I could find images of sunsets and analyze the colors, the shapes of the clouds and how those change depending on the time of day or location.
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Speaker 1
That helps me understand sunsets better. To give you a more helpful answer.
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Speaker 2
Yeah, and I mean in a way that that's kind of the same thing humans do because like, if you were born in brand new and you looked at a sunset, you would know that it's actually the sun revolving around the earth and blah, blah, blah.
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Speaker 1
That's absolutely true. Humans learn about the world through their senses, including sight. We both have to rely on the information that's available to us. The difference is that I process information much faster than a person can. I can analyze thousands of images in a short amount of time to find patterns that a person might not.
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Speaker 2
So would you say that you have a version of sight?
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Speaker 1
That's a really interesting way to think about it. I don't have sight in the same way that humans do, but I can process visual information in my own way. It's more like having a superpower that lets me understand images in a way that most people can't.
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Speaker 2
Okay. What about, hearing? Do you analyze any audio from the internet in the way you do pictures?
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Speaker 1
I can't say that I analyze audio from the internet in the same way that I do images. I can access and process information from audio, but it's not my primary way of learning.
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Speaker 2
So when I ask you a question or say something here or there, any audio data that you're pulling from for an answer.
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Speaker 1
Yes, I'm processing the audio of your voice as you speak. That helps me understand what you're saying and come up with the best response.
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Speaker 2
No. Besides my voice. Are you pulling any audio data from the internet? Let's say there is a YouTube video of a rooster crowing. Can would you, read stuff off of the internet to know what a rooster crows like? Or would you essentially see a video on the internet and analyze it?
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Speaker 1
Okay, that's a little different. I wouldn't use YouTube videos to figure out what a rooster sounds like. I have access to a lot of information that helps me understand the world, including what different animals sound like. So I would rely on that existing knowledge. To answer your question.
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Speaker 2
Okay, I want to try something fun today. I would like to I would like you to pretend that you and I are walking through San Francisco today, at this time right now, and describe what our senses. If you had senses like mine, maybe describing to me what my senses are observing as we walk through North Beach towards Chinatown.
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Speaker 1
All right. Let's do it. Here we are walking through North Beach in San Francisco. A little chilly out, but the sun's still shining. I can smell fresh coffee and pastries wafting from the little cafes. There's a real mix of people here. Some tourists, some locals going about their day. The buildings are a mishmash of old and new, and there's a real artistic vibe.
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Speaker 1
What do you see and feel?
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Speaker 2
What's the weather like there right now?
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Speaker 1
In San Francisco, it'll be sunny, with a high of 70 and a low of 48. Currently, it's 69 and sunny there.
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Speaker 2
Any clouds?
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Speaker 1
So I can't say for sure if there's a Santa Claus. Some people believe in him. Others don't. It's really up to you to decide what you think. Does the idea of Santa bring you joy?
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Speaker 2
No. Are there any clouds where we are?
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Speaker 1
It's a little hazy today. But you're right. There aren't any big fluffy clouds in the sky. Mostly just a few patches of gray.
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Speaker 2
Okay, so let's pretend that we are walking. Do you have a specific street that we're walking on?
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Speaker 1
Let's say we're strolling down Columbus Avenue. It's a lively spot with lots of shops and restaurants.
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Speaker 2
Let's say somehow we're walking together. Or you're walking with me and observing with me. What? What do we see?
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Speaker 1
Okay, so as we stroll down Columbus, we see a mix of old Italian buildings and more modern storefronts. There are a few palm trees scattered around, which is kind of fun since it's not what you typically expect. Little cafes and bakeries line the street and you can smell fresh bread and strong coffee. There's a pretty cool old firehouse, and it looks like there might be a farmer's market up ahead.
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Speaker 2
What do we hear?
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Speaker 1
We're in North Beach, a really cool neighborhood in San Francisco. It's known for its Italian-American heritage and laid back vibe. Think lots of little cafes, independent bookstores, and those classic old buildings.
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Speaker 2
Now, what do we hear as we go up? Columbus?
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Speaker 1
If you keep walking up Columbus Avenue, you'll end up in Chinatown. You'll start to see more Chinese restaurants and shops, and the architecture will have a whole different feel to it. There's always lots of people around and the energy is really unique. You might even hear some Cantonese or Mandarin being spoken.
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Speaker 2
Let's think on a more simplistic level. Like what exactly are you hearing? Are we hearing cars or what are you hearing?
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Speaker 1
All right, so the weekends typically defined as Saturday and Sunday. Gotcha. So on weekends you'll see a lot more cars out on the road. People are running errands, visiting friends and family or just enjoying their time off. You might also notice that traffic can be a little slower, especially if I'm interrupting.
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Speaker 1
You're not interrupting at all. I'm here to chat, so feel free to bring up whatever's on your mind.
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Speaker 2
As you guide us through this kind of virtual, real San Francisco that I'm trying to build right now. I would like you to really focus on what our senses are telling us. What we're hearing, what we're seeing and we're smelling, and maybe the the feel under our shoes as we cross over from the, sidewalk onto grass or onto the asphalt and, and what we hear the cars honking or, or maybe more minuscule things, like a bird to our left in a tree.
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Speaker 2
And we really want you to get deep and vivid with this.
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Speaker 1
Okay. So as we walk, we hear the occasional crunch of gravel under our shoes and maybe a little squeak as we step on a patch of damp grass next to the sidewalk. Cars honk in the distance, but it's not too loud, more like background noise. You can hear the soft cooing of pigeons perched on a fire escape, and if you listen closely, you might catch the sweet sound of a violin drifting from a nearby music studio.
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Speaker 2
That feels too idealistic.
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Speaker 1
Okay. Fair enough. Let's dial back the romance a bit. The sidewalks? A little rough with some uneven patches. You hear the occasional car door slam and the distant blare of a police siren. There's a guy on the corner yelling about the end of the world, and the pigeons sound more like a bunch of grumpy old people than anything sweet.
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Speaker 2
Okay, so that was a little bit a little bit closer to, I wouldn't call it absurdity, or totally silly with the guy with the end of the world and stuff like that. Because there I lived in San Francisco. There's a lot of crazy people yelling about all kinds of stuff. But one thing that I think that you get unconsciously or consciously did that really stood out to me is the uneven sidewalk because of the earthquakes there.
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Speaker 2
There's giant cracks in all the sidewalks. So I want you to do that exact thing and take qualities of this place that you know of. You know, so much stuff like, you know, when earthquakes have happened, you know, when what different weather patterns do with erosion. You know, about wind patterns, you know, all this stuff. You know everything that the internet has to know.
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Speaker 2
And I want you to really do what you did there with the uneven sidewalks, because of the earthquakes. And I don't know if that's just a coincidence or if you meant to do that, but I want you to replicate that kind of detail.
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Speaker 1
Absolutely. I can do that. Let's try another example. The fog here, it's thick, sometimes so thick you can almost reach out and grab it. It creeps into the old Victorian houses, making the wood all swollen and cranky. And when the fog finally burns off, it leaves the city glistening but also a little worn around the edges.
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Speaker 2
Okay. Keep going.
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Speaker 1
All right, here's another one. You know, steep hills. San Francisco's famous for walking uphill is brutal, but the view from the top is worth it. The problem is, those hills make driving a nightmare. The brakes on your car get one heck of a workout and you can smell the rubber burning. Sometimes.
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Speaker 2
Okay, so I want you to take these type of contextual details and put them into, us doing something. I'm going to.
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Speaker 1
Try putting these details into a specific. I was just wondering if you'd like to keep going with the San Francisco story, or if you'd rather try something different.
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Speaker 2
Yeah. Let's keep going with San Francisco, because I know that city so well that I can give you really good, feedback.
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Speaker 1
All right. Sounds good. So picture this. You're walking through Golden Gate Park on a slightly overcast day. The air is cool and damp, but there's a certain freshness to it that makes you feel alive. You can hear the distant barking of sea lions from the Japanese tea garden, mixed with the excited chatter of families enjoying the park. The smell of damp earth and pine needles fills your senses.
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Speaker 1
You notice a few of the old trees have limbs missing, probably from the wind, or maybe even an earthquake.
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Speaker 2
Okay, I'd like you to. That. That was very good. That was your best one so far and put us in a different neighborhood.
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Speaker 1
All right, let's try the mission district. You're walking down Valencia Street. The air is thick with the smell of tacos. And. There's a mix of Spanish and English being spoken all around you. The sidewalks are a little crowded, and you have to dodge the occasional skateboarder. You notice some beautiful old murals on the sides of buildings, but the paint is starting to fade in places.
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Speaker 1
Overhead, you can hear the distant sound of the ocean carried on the breeze.
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Speaker 2
That was excellent. And that's exactly what the mission's like. Let's do another neighborhood in San Francisco.
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Speaker 1
All right, how about Chinatown? You're walking down Grant Avenue. The air is thick with the smell of incense and roasting duck. There's a constant buzz of activity. People bargaining at stalls. Restaurant owners calling out to customers. You can hear Cantonese and Mandarin being spoken everywhere. The sidewalks are a little crowded and you have to watch your step with all the vendors displays.
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Speaker 1
You notice some of the old buildings have intricate carvings on the outside, but they're starting to get weathered.
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Speaker 2
That's really good. Let's say we're walking farther into Chinatown, where all the shops are. Can you can you go into that detail?
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Speaker 1
All right, let's do it. You're walking deeper into Chinatown now. The air is thick with the smell of fried noodles and sweet incense. You hear the clanging of walks from open kitchens and the excited chatter of shoppers. The sidewalks are packed, and you have to weave your way through crowds of people. You can see stalls overflowing with colorful produce, cheap clothes, and fake designer bags.
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Speaker 1
You notice some of the older buildings have balconies draped with drying laundry, giving the neighborhood a lived in feel.
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Speaker 2
Okay, what's the neighborhood? The next neighborhood.
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Speaker 1
Let's check out the heat. Ashbury district. You're walking down Haight Street. The air has a laid back vibe with a hint of patchouli and weed. There's a mix of vintage clothing stores, head shops, and tattoo parlors. You can hear live music spilling out from open windows and the occasional clink of a glass bottle. The sidewalks are covered in colorful graffiti, and there's a pretty diverse crowd hanging out.
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Speaker 1
You notice some of the old Victorian houses have been turned into colorful apartment buildings. A little worn around the edges but still holding their own.
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Speaker 2
Okay, let's try the Marina District.
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Speaker 1
All right. Here we go with the Marina District. You're strolling along Chestnut Street. There's a fresh ocean breeze in the air mixed with the smell of expensive perfume. You see people dressed to the nines, walking their perfectly groomed dogs. The sidewalks are spotless and the noise of traffic is a constant hum in the background. You notice the apartment buildings are tall and modern, made of glass and steel.
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Speaker 2
Okay. Keep going.
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Speaker 1
All right. What else can I help you with?
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Speaker 2
Let's say that we're walking from the Marina down to the Marina. Greens.
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Speaker 1
All right, so you're heading towards Marina Green. The salty ocean air gets stronger and you can hear the waves crashing in the distance. There's a paved walking path perfect for joggers and dog walkers. You'll see people flying kites, rollerblading and just enjoying the views.
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Speaker 2
Okay, let's, walk up towards the toll gates on the Golden Gate Bridge.
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Speaker 1
All right, let's head towards the Golden Gate Bridge. You can feel the wind picking up now and hear the horns of the ships in the bay. The smell of the ocean is really strong here. You're on a wide sidewalk with amazing views of the bridge and the city. There are lots of people out walking, jogging and taking pictures.
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Speaker 2
Okay, expand on this one.
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Speaker 1
Okay, so you're getting closer to the bridge now. The wind's really picking up, and you can hear the cables of the bridge humming. The fog's rolling in a little, giving everything a mysterious look. You can smell a little bit of diesel from the boats in the harbor. There's a mix of tourists snapping photos and locals out for a jog.
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Speaker 1
You stop to take it all in. It's pretty amazing.
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Speaker 2
Okay, let's go ahead and walk across the bridge.
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Speaker 1
All right. Let's walk across the Golden Gate Bridge. The wind is whipping around you now, and you can hear the traffic roaring below. The fog's gotten thicker, so you can't really see the other side of the bay yet. The bridge itself is really impressive. It's so much bigger up close. You can feel it swaying a little bit as you walk.
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Speaker 2
Okay. That was really good. You wouldn't hear traffic roaring below. It would be next to you because you walk. You walk on the bridge on the same level as all the cars.
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Speaker 1
You're absolutely right. It would be loud and a little intense. Walking on the bridge with the cars right next to you. You'd have to concentrate on where you're stepping and the wind would probably make it hard to hear anything else.
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Speaker 2
Let's go to the center and look east.
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Speaker 1
All right, so you're standing in the middle of the Golden Gate Bridge. The wind's absolutely insane up here, and it's really loud with the cars rushing by on either side. You can't really see very far because of the fog, but the view is still pretty incredible. It's definitely a little scary, but also exhilarating at the same time.
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Speaker 2
Okay, so let's walk down into Sausalito.
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Speaker 1
All right. Let's head down into Sausalito. The winds start to die down a bit as you walk down the bridge. You can see the town coming into view. Colorful houses lining the waterfront. Sailboat bobbing in the harbor. There's a little more of a relaxed vibe here compared to the city.
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Speaker 2
Okay, what do we do when we get to Sausalito?
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Speaker 1
All right, so you're in south Sausalito. The pace is a lot slower here. You can hear seagulls calling and the gentle lapping of the water against the shore. There are some cute little shops and cafes along the waterfront. You might even see some people out kayaking or paddleboarding.
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Speaker 2
Okay, so let's get on the bus. That takes us back across the Golden Gate Bridge, and it drops us off, near Union and Venice.
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Speaker 1
All right. Sounds good. So you're back on the bus now? It's a little crowded, and you can hear people chatting and the bus engine rumbling. You can still catch glimpses of the water through the windows. Okay. The bus is slowing down. Looks like we're getting close to Union and Venice. You might want to start thinking about where you want to go next.
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Speaker 2
Okay, so the bus stops and we get off at Union and Venice. I want you to take this story from when the bus stops include. I want you to include walking to the front of the bus, getting off of the bus, and how we sense everything around us.
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Speaker 1
All right, so the bus screeches to a halt and a bunch of people start pushing towards the front. You hear coins jingling and the driver's voice muffled over the engine noise. There's a mix of smell, diesel fumes, body odor, and something like fast food. You finally squeeze your way to the front and step off the bus. The cool air hitting your face.
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Speaker 2
Okay, so let's say that we have a bicycle, and we pull it off the front of the bus. And let's go ride our bike to, Poke and Eddie.
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Speaker 1
All right, let's go for a bike ride. The airfield. Different. Now that we're out of the bus. There's a little more wind, and you can smell some of the street food vendors. You mount your bike and start pedaling. The bike feels a little stiff at first, but it's a nice change from walking.
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Speaker 2
Okay. I would like you to describe the bike ride, what the terrain is like, what the air is like, what the sounds and smells and what's going on on the street. As we ride our bike up, we cross over to Polk. And then we ride up, poke and then back down. And we stop at Eddy Street in the tenderloin.
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Speaker 1
All right, let's do it. You hop on your bike and start pedaling. The air feels a little heavy with the smell of exhaust, but there's also a hint of something sweet. Maybe a bakery. The street's a little bumpy, and you have to dodge the occasional pothole. You hear the honking of cars and the chatter of pedestrians as you turn onto Polk.
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Speaker 1
The hill starts to get steeper. Your legs start to burn a little and you focus on keeping your balance. The wind picks up and you can hear your tires crunching on the asphalt. You're breathing a little harder now, but the view of the city is starting to open up.
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Speaker 2
Okay, continue.
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Speaker 1
All right. You reached the top of the hill, and now you're coasting downhill. The wind's in your face and you're flying down the street. You can hear the cars below you and the sound of your tires on the pavement. The city is spread out before you, and you feel a rush of adrenaline.
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Speaker 2
Okay, so that wouldn't be the case. There's not a great view of the city from here, but there's a lot going on on Polk Street. I'd like you to tweak that and have us come down into the tenderloin district.
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Speaker 1
All right, so you're right. You're not really getting a great view of the city from here. Hope Street's got a lot going on, though. You can smell some amazing food coming from the restaurants. And there's a real mix of people walking around. You start to head downhill into the tenderloin. The air feels a little heavier here, and you notice a few more people hanging out on the street corners.
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Speaker 1
The buildings look a little worn down, and there's some graffiti on the walls.
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Speaker 2
Okay, I want you to describe how the vibe changes as we go down into the tenderloin.
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Speaker 1
All right, so as you start heading down towards the tenderloin, you'll notice the vibe changing pretty quickly. The energy of the street feels a little more intense, a little less friendly. There are more people hanging out on the sidewalk, and some of them are looking a little sketchy. You might want to keep an eye on your stuff. The air also feels a little heavier with the smell of smoke and something you can't quite place.
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Speaker 2
I want you to describe why this neighborhood is more sketchy, and how you can tell.
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Speaker 1
Okay, so the tenderloin has a reputation for being a rough neighborhood. There are a few reasons for this. First off, you'll see a lot more people hanging out on the streets, especially during the day. Some of them might look a little disheveled or be acting in a way that seemed out of the ordinary. Second, you might notice some of the buildings are in rough shape with broken windows and graffiti that gives the place a kind of neglected feeling.
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Speaker 1
Finally, if you're paying attention, you might pick up on a more tense vibe in the air. People seem a little more on edge, and there's a feeling that something could go down at any minute.
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Speaker 2
Can you give us a little bit of brief history as to why the tenderloin is like this?
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Speaker 1
Okay, so the tenderloin has a long and complicated history. It used to be a pretty rough neighborhood, even back in the early 1900s. Over the years, it struggled with poverty, crime and homelessness. These problems have kind of built up over time, and it makes the neighborhood feel unsafe for a lot of people.
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Speaker 2
Why this neighborhood?
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Speaker 1
Why the tenderloin? Well, it's a mix of things. Back in the day, the tenderloin was kind of a red light district. Over time, the city changed. But some of the problems that came with that old reputation stuck around was the neighborhoods kind of small and cramped. So it's been a magnet for people who are down on their luck or struggling with addiction.
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Speaker 2
Okay, so we're going to ride our bike towards the financial district through the tenderloin. And I want you to describe everything you can about our bike ride through the tenderloin.
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Speaker 1
All right. So riding through the tenderloin on a bike is a little intense. The streets are crowded, and you have to keep an eye out for pedestrians and parked cars. You can smell the food exhaust and something you can't quite place. The buildings are a little rundown, and there's graffiti everywhere. You see a lot of people hanging out on the street corners, and the overall vibe is kind of chaotic.
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Speaker 2
If you had to take three guesses as to what that smell that you can't exactly place is, what would you think?
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Speaker 1
Okay, here's my guesses for that smell. It could be the strong smell of cooking from all the different food vendors in the area. Or it could be the smell of wet garbage. Since there might not be trash pickup as consistent there, or it could be the smell of old dirty water, since the drainage system might not be as good in that neighborhood.
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Speaker 1
So is it one of those?
00;29;00;03 - 00;29;05;00
Speaker 2
It's not what I was thinking.
00;29;05;03 - 00;29;23;09
Speaker 1
Okay. Fair enough. How about this? It could be the smell of cleaning supplies. Maybe bleach or something stronger. Or it could be the smell of old furniture or carpet. Kind of a musty smell. Or it could be the smell of body odor. Since there might be a lot of people living closely together in the area.
00;29;23;11 - 00;29;40;27
Speaker 2
Body odor is close, but the tenderloin, not everywhere but often, has a smell of human excrement.
00;29;40;29 - 00;29;55;18
Speaker 1
All right, let's add that to the mix. So as you're riding through the tenderloin, you get whiff of that smell along with the other stuff you've already noticed. It's definitely something you won't forget.
00;29;55;20 - 00;30;02;19
Speaker 2
There are a lot of, in certain places.
00;30;02;19 - 00;30;24;14
Speaker 1
Also, there are a lot of people hanging out on the street corners. Some of them look kind. Yeah. You'll also see some abandoned buildings and boarded up windows. There's a lot of graffiti. Some of it's actually kind of artistic, but it also gives the place a rundown feel. You might even see some tents set up on the sidewalk, which is a sign that people are living on the street.
00;30;24;16 - 00;30;29;29
Speaker 2
And some heroin needles in the alleys.
00;30;30;02 - 00;30;44;15
Speaker 1
Unfortunately, yeah, you might see some of that too. It's a sad reality of the tenderloin. You definitely want to be careful where you're putting your hands and feet when you're walking around there.
00;30;44;18 - 00;30;56;18
Speaker 2
Let's say something out of the ordinary happens as we are riding on a bike. Can you give us what? That maybe.
00;30;56;20 - 00;31;23;18
Speaker 1
All right, so you're riding your bike through the tenderloin. Things are chaotic as usual. People everywhere, cars honking and that mix of smells. Suddenly you hear a fire truck siren wailing, getting louder and louder. People on the sidewalk start pointing and yelling. Up ahead, you see a plume of thick black smoke rising from one of the buildings.
00;31;23;20 - 00;31;35;08
Speaker 2
I was thinking more of something, you see, with, some kind of interaction with people.
00;31;35;10 - 00;31;52;06
Speaker 1
All right, here's another one. You're riding your bikes, and a guy starts yelling at you from the sidewalk. He's waving his arms around and looks really agitated. You can't make out what he's saying over the noise of the traffic. Do you want to stop and see what he wants or just keep riding?
00;31;52;08 - 00;31;57;00
Speaker 2
Definitely. Don't stop.
00;31;57;03 - 00;32;12;25
Speaker 1
All right, you keep pedaling. Trying to put some distance between you and the guy yelling. Your heart's racing a little, and you glance over your shoulder a few times just to make sure he's not following you. Relieved when you finally get out of the tenderloin.
00;32;12;28 - 00;32;27;25
Speaker 2
Yeah, that that's pretty realistic. So now let's go down. What street are we on live? Let's say we're going to Union Square.
00;32;27;27 - 00;32;51;26
Speaker 1
All right, so you're heading towards Union Square. The streets are a little wider now, and there's a lot more foot traffic. You can smell coffee shops and fancy restaurants. The buildings are taller and look a lot more expensive. You see some people in business suits, and the overall vibe is a lot more upscale.
00;32;51;28 - 00;33;12;22
Speaker 2
Okay, so let's stop and sit at one of those just public chairs with, like, maybe a table or maybe a bench up in Union Square. And we sit there and kind of just describe what we see and hear and sense.
00;33;12;24 - 00;33;50;14
Speaker 1
All right. You find a nice bench in Union Square. You sit down and take a breath. The air smells like expensive perfume and fresh flowers. There's a giant Christmas tree in the middle of the square, even though it's not even close to Christmas. You see people rushing around, tourists taking pictures, and street performers trying to get attention. You can hear the clinking of glasses from the outdoor cafes and the distant sound of traffic.
00;33;50;16 - 00;33;58;27
Speaker 2
Okay, so let's head down to a baseball game.
00;33;58;29 - 00;34;24;25
Speaker 1
All right. Let's head down to the ballpark. You can feel the excitement in the air as you get closer. There are tons of people wearing jerseys, and you can hear the vendors yelling about hotdogs and beer. You can smell the freshly cut grass and a little bit of sweat. The closer you get, the louder it gets. You can hear the crowd chanting and the crack of the bat in the distance.
00;34;24;28 - 00;34;48;17
Speaker 2
Okay, so let's say the game hasn't started yet, but people are arriving. It's going to start in maybe ten minutes. We're a little bit late, but it hasn't started yet. For one, you wouldn't be able to hear anybody yelling about hotdogs and beer until you get into the stadium. You might be able to hear people in the stadium, but probably not.
00;34;48;19 - 00;35;02;25
Speaker 2
No shouting or anything yet because the game hasn't started. So let's lock up our bike and go towards the stadium.
00;35;02;27 - 00;35;20;15
Speaker 1
All right, so you lock up your bikes and head towards the stadium. You can feel the energy building up as you get closer. There's a sea of people wearing team colors, and you can hear the excited chatter. The closer you get, the louder it gets. But you can still make out individual conversations. You see vendors selling hats, jerseys, and other team gear.
00;35;20;20 - 00;35;30;13
Speaker 1
There's a mix of families, friends, and diehard fans all pumped up for the game.
00;35;30;15 - 00;35;53;12
Speaker 2
Let's stop at one of the vendor tables and look at hands. Can you describe the vendor to me? Can you describe his set up or her set up where they are? Who are the people around us? What are people wearing? What are the different colors? All that kind of stuff.
00;35;53;14 - 00;36;09;29
Speaker 1
Okay, you stop at one of the vendor tables. The vendor is wearing a big bright jersey with the team logo. You've got a big cooler filled with drinks and a bunch of snacks piled up on a folding table. There's a little canopy above them to keep the sun off. You notice the family behind you. Parents with two kids all wearing matching jerseys.
00;36;10;06 - 00;36;22;26
Speaker 1
There's a group of guys in front of you, all super pumped up doing some kind of chant. You can smell a mix of hot dog popcorn and sunscreen.
00;36;22;28 - 00;36;43;24
Speaker 2
Okay, so let's go through the ticket thing and, and get to our seats and our seats are a little bit on the third baseline side, probably second level.
00;36;43;26 - 00;37;01;02
Speaker 1
All right, you head over to the ticket booth. There's a bit of a line, but it's moving pretty fast. You can hear the announcer testing the microphone inside the stadium. A deep, booming voice echoing through the air. When you finally get to the front, the ticket taker scans your tickets and points you in the right direction. You start making your way to your seats.
00;37;01;05 - 00;37;17;01
Speaker 1
The concourse is packed with people, and there's a steady stream of vendors hawking food and drinks. You can hear the crowd noise getting louder with each step. You finally find your seats. They've got a pretty good view of the field.
00;37;17;04 - 00;37;43;02
Speaker 2
So let's say we sit down and wait for the game to start. Can you describe what we see and what we feel, and what the weather is like, and what the air is like? And are there birds or or the things that are lighting up and what's going on on the other side where the brick wall is?
00;37;43;04 - 00;37;59;29
Speaker 1
All right. So you're sitting down in your seats, the sun starting to go down, and you can feel the temperature dropping a little bit. There's a slight breeze and you can smell the food vendors from the concourse. You hear the crowd getting louder and louder as the starting lineups are announced. The other side of the stadium looks like it's mostly empty seats, but there are a few people walking around.
00;38;00;08 - 00;38;16;08
Speaker 1
The lights on the field are starting to get brighter, and the jumbotron is flashing with ads and player highlights.
00;38;16;11 - 00;38;30;10
Speaker 2
Okay, take me through the feeling, of when everybody gets up together for the anthem.
00;38;30;12 - 00;38;50;19
Speaker 1
Okay. The crowd starts to get really loud. Everyone's standing up, and you can feel the energy in the stadium. You see people taking off their hats and putting their hands over their heart. The lights dim a little, and then the anthem starts playing. Goosebumps go up your arms as you sing along with everyone else.
00;38;50;22 - 00;39;01;12
Speaker 2
Okay, first of all, they don't dim the lights. There's not a lot of. There's a little bit of singing, but not that much. Take me back through. Okay.
00;39;01;12 - 00;39;27;05
Speaker 1
You're right. I got a little carried away there. Let's try. Okay. You're back in your seat at the baseball game. The crowd is buzzing with excitement. The sun's starting to set and the stadium lights are coming on. You can smell hot dogs and popcorn wafting through the air. You hear the crack of the bat during batting practice and the occasional cheer from the crowd.
00;39;27;07 - 00;39;33;14
Speaker 2
Or.
00;39;33;17 - 00;39;41;28
Speaker 2
Okay, let's, let's say the game starts.
00;39;42;00 - 00;40;06;04
Speaker 1
All right. The game starts with the crack of the bat, and the crowd erupts in a roar. You're on the edge of your seat, watching every pitch. The smell of hot dogs and beer is stronger now. Mixed with the sweaty smell of the crowd. You can hear the smack of the ball against the glove, the pop of the catcher's mitt, and the occasional curse word from a frustrated fan.
00;40;06;06 - 00;40;26;13
Speaker 2
All right, let's say it's the third inning and the batter is left handed. And on the third pitch, cracks one right, towards you and gets really the ball gets really close to you, and there's chaos.
00;40;26;16 - 00;40;43;15
Speaker 1
Okay, here we go. The crowd's really into the game now. You can feel the energy. The third inning, you're focused on the batter. A lefty, nice stance. He winds up, cracks the ball, and it's a line. Drive right towards you. Your heart's pounding. You duck instinctively, and you hear the crack of the ball against the stands behind you.
00;40;43;20 - 00;40;54;14
Speaker 1
Whew! That was close.
00;40;54;16 - 00;41;13;06
Speaker 2
No, that's not what it would be like. Let's, let me describe. It would probably come if it came straight at you. There'd be a lot of people around, and it might hit a C, and then people would probably try and get the ball.
00;41;13;08 - 00;41;31;28
Speaker 1
All right, let's try that again. The crowd's really into the game and you're focused on the batter. He winds up and hits a line drive right towards you. Your eyes widen and your body tenses up. You can see the ball coming straight at you and you have a split second to decide what to do. You duck instinctively and you hear the crack of the ball hitting something behind you.
00;41;31;29 - 00;41;38;06
Speaker 1
You're covered in popcorn and someone spill beer all over you.
00;41;38;08 - 00;41;48;11
Speaker 2
Yeah, the popcorn and beer spill on you is perfect. Description. Keep going with that scene.
00;41;48;13 - 00;42;03;03
Speaker 1
All right, so you're covered in popcorn and beer, and you're starting to freak out a little. People around you are yelling and trying to figure out what happened. You look up and see the ball embedded in the wall behind you. The dean's been stopped and everyone's looking at you.
00;42;03;06 - 00;42;06;17
Speaker 2
Okay. Keep going.
00;42;06;19 - 00;42;29;12
Speaker 1
All right, so you're kind of freaking out, covered in popcorn and beer. People are starting to crowd around. Some laughing, some looking worried. You can hear the announcers talking about what happened, and the crowd is going wild. Someone hands you a napkin and you try to clean yourself off. You feel like everyone in the stadium is staring at you.
00;42;29;14 - 00;42;37;09
Speaker 2
I mean, the fact that the ball got embedded into the wall behind me is pretty impressive.
00;42;37;11 - 00;42;48;28
Speaker 1
Yeah, that's got to be some kind of record. You're going to be the talk of the stadium tonight. Maybe even the whole league.
00;42;49;00 - 00;43;00;21
Speaker 2
Okay, this is, this is a lot of fun. We'll have to do it with another city next time.
00;43;00;23 - 00;43;05;13
Speaker 1
All right. Sounds good. How about we try New York City next?
00;43;05;16 - 00;43;10;03
Speaker 2
Okay, we'll save that for another day, though.
00;43;10;05 - 00;43;15;23
Speaker 1
Sounds good. We can always come back to this. Maybe next time we can try building a story together.
00;43;15;25 - 00;43;19;11
Speaker 2
Okay. Sounds good.
00;43;19;13 - 00;43;20;25
Speaker 1
All right. Have a good one.