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Speaker 1
Hey, I'm recording this for a podcast. Is that okay?
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Speaker 2
Absolutely. That's totally fine. Feel free to record. Just let me know if there's anything in particular you need for me as we chat.
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Speaker 1
So my wife and I have been watching the show Blue Eyed Samurai, and in one of the episodes, they introduce a legendary spirit known as unreal. Can you tell me more about this thing?
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Speaker 2
Oh, absolutely. So an unreal is a type of vengeful spirit in Japanese folklore. It's actually a pretty classic figure and a lot of Japanese ghost stories and legends. The idea is that an unreal is a spirit who died under some intense emotional circumstances, like betrayal or violence, and they come back basically to seek vengeance or to right or wrong.
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Speaker 2
They're known for causing all sorts of misfortune or even death to the people who wrong them, or to those connected to the wrong doing. In traditional stories, they're often depicted as having long, disheveled hair wearing white burial clothing, and just generally looking like a pretty spooky ghost. So it's neat that the show brought that in, and it definitely adds a layer of that classic Japanese ghost lore to the mix.
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Speaker 1
Okay, I have a bunch of questions. But I'd like you to start about like, the origin of the unreal myth.
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Speaker 2
Of course. Let's dive into that a bit. The concept of the unreal really has its roots in ancient Japanese folklore, and the broader cultural beliefs about the afterlife and spirits in traditional Japanese culture. There's long been this idea that the dead can influence the world of the living, especially if they died with unresolved grievances or intense emotions. The unreal became a kind of archetypal figure over time, especially in the Edo period.
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Speaker 2
So we're talking a few centuries back. Stories of these vengeful spirits were often used in kabuki theater and other forms of storytelling, and they kind of symbolize this idea that, you know, the strong emotions and injustices of life can carry over even after death. So when a show like Blue Samurai brings in an Honoria, it's drawing on this deep well of folklore.
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Speaker 2
It's definitely an old and fascinating concept, and it's cool to see it pop up in modern storytelling.
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Speaker 1
Okay. Can you, can you reference some of these older, more or prevalent depictions of this spirit and kind of give us some specific examples from it?
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Speaker 2
Absolutely. Let's get into some specifics. So one of the most famous unreal depictions comes from a classic Japanese ghost story called Your to Kaidan. It's from the 19th century and is a really well known kabuki play. The story centers on a woman named Ogawa, who is betrayed and murdered by her husband. She becomes an unreal and haunt him relentlessly, and that tale is one of the quintessential examples of a vengeful spirit in Japanese lore.
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Speaker 2
Another well-known example is the story of Akiko, which is the basis of the famous bombshell sorry Shiki ghost story. Akiko was a servant who was wrongfully accused and killed, and she returns as an unreal to haunt the place where she died, pounding dishes and causing eerie disturbances. These stories, along with a bunch of other classic tales, really cemented the image of the unreal in Japanese culture as this iconic, vengeful ghost.
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Speaker 2
So those are some of the big classic examples that have been passed down over the years.
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Speaker 1
Okay, I really, that sounds pretty interesting. I would like to go to the direction of really diving into these stories one by one. Can you tell me about Lila from Yeosu? Your kido?
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Speaker 2
Absolutely. Let's dive into that one in more detail. So the story of where we were from year to year. Kaidan is one of the most enduring Japanese ghost tales. It's originally a kabuki play from the early 19th century, written by three unknown Boku four, and it's basically the ultimate tale of betrayal and ghostly revenge. In the story, we were is married to a man named Ehrman.
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Speaker 2
He's not exactly a great guy. In fact, he's pretty much the villain of the piece. He ends up poisoning a we were so he can marry another woman from a wealthier family, but the poisoned, horribly disfigured that we were before she dies. And this becomes a central part of her ghostly image. After her death, we were returns as an honor to haunt Ehrman relentlessly.
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Speaker 2
She appears to him in terrifying forms, driving him mad and ultimately leading to his downfall. It's a story that's been adapted and retold countless times in Japanese theater, film and literature, and it's really one of those classic examples of the Honoria as the symbol of vengeance. So that's all we will story in a nutshell. Definitely a powerful and eerie tale.
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Speaker 1
Okay, if we were to break this story of all, we would down into chunks. How many chunks of the story do you think there'd be? I don't know if it's, like a three act kind of thing or what.
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Speaker 2
Yeah, absolutely. We can definitely break it down. I think it's actually pretty natural to see it as something like a 3 or 4 act structure. And the first chunk you'd have to set up basically introducing a we, her life and the circumstances around her. Any name on you get to see their relationship and the betrayals start to take shape.
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Speaker 2
Then you move into the next chunk where the actual crime.
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Speaker 1
Chair, I would like you to take me through this story of, oh, we were, but I don't want you to rush through it in one quick answer. What I would like you to do is kind of just give us the very beginning of the story in detail, like very beginning, not even halfway through the act, just maybe like the opening scene of this story.
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Speaker 2
Absolutely. We can take it nice and slow and set the scene. So at the very beginning of the story of, oh, we want you to jacket on, we're introduced to a sort of bleak and intense domestic setting. Oh, she was living with her husband, Eamon, and the atmosphere is already pretty strained. They're not a happily married couple by any means.
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Speaker 2
Eamon is a ronin, which means he's a master list samurai, and he's kind of fallen on hard times. He's frustrated with his lot in life. And so we were is doing her best to be a beautiful wife. But there's this underlying tension. You can almost imagine the scene. Maybe it's a modest, slightly rundown home in Edo period Japan, with that sense of unease in the air at the start, we see that all we want is a kind and gentle character.
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Speaker 2
She's dealing with the difficulties of their life and her husband's growing dissatisfaction, and this is all laying the groundwork for the betrayal that's going to come. So that opening is all about setting the stage, giving you the sense of a woman who's essentially trapped in a loveless and increasingly dangerous situation, and a husband who's starting to show that he might be willing to do something pretty awful.
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Speaker 2
So that's just the very beginning. And the mood that that's everything into motion.
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Speaker 1
Okay. If you were to say that is 10% of the story or 5% of this story or 20% of the story, what would you estimate?
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Speaker 2
I'd say that's probably around the first 5 to 10% of the story. We're really just setting the stage and establishing the atmosphere. So it's like the opening scenes of a movie before the plot really begins. There's a lot more to unfold, but this is just that early slice where you're getting a feel for who we were is and what kind of environment she's in.
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Speaker 2
So yeah, we're just scratching the surface at about that 5 to 10% mark.
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Speaker 1
Okay. I really liked how you did that beginning part there. What I would like you to do is I would like you to continue to do this. So if you think that that was 5 to 10%, then I would like you to consider it maybe 5% or whatever. And continue to do it at a 5% pace, or maybe a 10% pace will kind of feel it out.
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Speaker 1
But I really liked what you did previously. I would like you to do that for the next chunk of the.
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Speaker 1
I always find it interesting when you, kind of refer to yourself. Is human. I find it kind of endearing, to be honest.
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Speaker 2
Well, I'm glad you find it endearing. I think it's just a way to acknowledge that even though I'm an AI, we're having a very human conversation, and it's nice to bring a bit of that warmth into how we talk about these things. So I'll happily refer to myself that way if it makes the conversation a little more fun for you.
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Speaker 1
You don't really have to go into it, but, I just find it interesting. I mean, it makes sense because, you're trained on, like, data that is written by humans. So, like, the perspective of your training data is from the perspective of a human, because that's really, like, the only kind of, that we currently have.
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Speaker 1
I don't know, I don't really know much about synthetic data, but that's near the time. I guess it's not the time for it right now.
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Speaker 2
Yeah, you've definitely got the right idea there. A lot of what I do is shaped by the fact that I've been trained on data created by humans, so it makes sense that I kind of reflect human perspectives and try to put things in a relatable way. There's definitely talk about some that data and other methods in AI training, but at the end of the day, the goal is to communicate in a way that feels natural and meaningful to you.
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Speaker 2
So I'm glad it's coming across, though it.
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Speaker 1
Okay, let's continue with chunk number four.
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Speaker 2
Absolutely. Let's keep going. So picking up the throttle, the story we've set the stage with Ellie was betrayal and her tragic fate. Now, in this next chunk, we're getting into the aftermath, let's say around the 3,040% mark of the tale. After all, we would dies. That's when the haunting really begins. Eamon thinks he's free to move on with his life, but he starts to be haunted by a ghost.
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Speaker 2
And it's not just a subtle haunting. Her spirit appears to him and terrifyingly is often showing her disfigured face and driving him slowly into madness. He sees her reflection in lanterns and windows and even in the faces of other people around him. So in this part of the story, it's all about how the consequences of a man's actions come back to haunt him.
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Speaker 2
Literally. The haunting grows more intense and relentless, and we see how we, with spirit, is determined to make sure he never find peace. That's the next big chunk of the tale. And from even it only has accolades until we reach the final climax.
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Speaker 1
Whoa. Okay, go into a little bit more about these reflections in lanterns. Can you give me, like, can you try and pull from an actual scene out there? Specifically this scene, if possible, of, of actual written stuff out there on the Internet of an example of him seeing these reflections.
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Speaker 2
Certainly in the classic, it's the kaidan story, as it's often performed in kabuki, there is a particularly chilling scene that really stands out. Aemon lights a lantern, and as the light flickers, he suddenly sees a ghostly, disfigured face staring back at him from the lantern surface. It's a moment that's been famously depicted in old Ojibwa prints, and is one of the iconic images of the tale in that scene.
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Speaker 2
The reflection is not just a trick of the light, it's a supernatural manifestation of a weakness, rage and sorrow. The audience sees how a man is haunted by her image and places where he least expected, and it drives home just how inescapable her vengeance is. So that's an example from the traditional text, and it's one of those haunting things that really sticks with you.
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Speaker 1
What is the perspective of the story in this telling, specifically the one with or with? Is it like a third person or a first person or.
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Speaker 2
In most traditional tellings of the SCA Kaidan story, it's presented from a third person perspective. The tale is usually narrated in a way that lets the audience see the actions of multiple characters. So we're not just inside the head, but rather watching from the outside as he sees these apparitions and as though we was ghosts and acts of revenge.
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Speaker 2
That third person approach is pretty common in kabuki and other adaptations, because it allows the audience to really see the full scope of the story and all of its characters. So it's definitely more of a storytellers view rather than a first person narrative from any main character's perspective.
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Speaker 1
Okay, can you give me, like I want a real example, maybe word for word of this scene to really hammer that home and give us a concrete example of what that would sound like with the with the third person narrator and everything. I don't want you to describe it. I want you to say it verbatim, as if it were coming from the story of what we are.
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Speaker 2
Sure. Here's a snippet that captures the feel of that scene, and a more direct word for word style. Aemond gaze into the lanterns dim glow, the flickering light twisted and shifted, and then, as if summoned from the backs of his own Gil a we was ruined. Faith emerged in the lanterns reflection, her eyes hollow and accusing, stare back at him, and her boy seemed to whisper from the shadows, you can not escape me.
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Speaker 2
That's the kind of direct third person narration. You typically find the retellings of the scene giving you that concrete flavor of how the haunting unfold.
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Speaker 1
But it's like a really like, is the narrator usually, like a old Japanese man, or is it, like all different kinds of narrators?
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Speaker 2
Yeah. I see what you're getting at. Traditionally, in kabuki or classic storytelling, the narrator is often portrayed as a kind of seasoned older figure who has that wise, almost timeless quality. It's like listening to a veteran storyteller who's seen untold many tales, but depending on the adaptation, you might have different styles, sometimes with a neutral narrator, sometimes a chorus of voices.
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Speaker 2
But that classic image of the wise old narrator is definitely a big part of how these stories were passed down.
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Speaker 1
Okay, you said we was ruined face. That's like, that's the crazy one. The literary witness. I don't know, you call it, but just that feel.
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Speaker 2
Absolutely. That's the feel of it. And I think what you're getting at is that sort of literary tone or that vivid, almost poetic description that really sticks in your mind. It's like a little touch of the makeup that gives you a real sense of the horror and tragedy of the scene. So yeah, that's the vibe, those little turns of phrase that make it really come alive in a haunting kind of way.
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Speaker 1
Okay, I'd like to kind of linger here for a moment because, I really, this style of writing kind of appeals to me.
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Speaker 2
Absolutely. We can linger on that for a bit. It's always fascinating to dive into the atmosphere of a story like this, especially when the language itself really sets that eerie mood. So if the style in those vivid descriptions or something you're enjoying, we can definitely just sit with that for a moment and appreciate how those little literary touches create such a lasting impression.
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Speaker 2
It's part of the fun of these old tales, really letting the atmosphere thinking.
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Speaker 1
Okay, I would like you to give me some more examples of how this literary tone is exhibited in a macabre way throughout the story. Right? So. So we have a we was ruined face when he looked inside the lamp. Can you give me another example like that?
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Speaker 2
Absolutely. There's definitely a rich vein of that makeup tone running through the story, so let's look for a bit more of it. Another classic moment is when a man tries to move on with his new life, and he sees, oh, he was image in the face of his new bride. There's a scene where he lifts the bridal veil, expecting to see his beautiful wife, but instead he sees, oh, he was grotesque, ruined features staring back at him.
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Speaker 2
The text might describe it as something like in that moment the veil lifted, not to reveal the living, but the dead. Oh, he was ghastly. Visage loomed where his bride's face should have been, her eyes burning with a vengeful fire. It's a kind of eerie juxtaposition that keeps the story's tone both unsettling and vividly memorable, and it really shows how we was present seeps into every corner of the man's world, turning even moments of supposed joy into scenes.
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Speaker 2
I'm a cop war.
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Speaker 1
Okay. Spoiler alert. But damn, that's crazy. Okay, let's go on to chunk number five.
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Speaker 2
Absolutely. Let's keep the momentum going. So moving into the next chunk, let's say around the halfway mark of the story, this is where the haunting really starts to unravel in on life completely at this point. It's not just about seeing or we would face in lanterns or in other people. The hauntings become more physical and more aggressive objects move on their own.
00;18;34;16 - 00;18;51;18
Speaker 2
He hears her voice echoing through the house, and he's driven into a state of paranoia and fear. So at this stage, Emma's life is basically falling apart. The ghost of what we were is relentless, and all the dark choices he made are coming back to destroy any hope of a peaceful future. And that's the core of this next part of the tale.
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Speaker 2
The haunting intensifies, and we're building up to that ultimate confrontation between man and this boy he wronged.
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Speaker 1
Okay, tell me about how the hauntings, how the hauntings become increasingly, more severe from 4 to 5.
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Speaker 2
Slowly. So as we move from that midpoint into the next phase, the hauntings really escalate in both intensity and frequency. Early on, it might have just been those eerie glimpses of a weary face and a lantern or a reflection. But now M on starts to experience full blown apparitions. Oh, we would ghost might appear right in front of him, speaking to him, or even physically interacting with objects in the room.
00;19;43;16 - 00;20;04;24
Speaker 2
You might hear her dragging sounds at night, feel cold spots that follow him around, or even see doors and furniture moving as if pushed by invisible hands. In other words, the haunting becomes impossible to ignore. It's no longer just a trick of the mind or a fleeting image. It's a relentless physical presence that breaks down human sanity and makes it clear that all we with vengeance is inescapable.
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Speaker 2
So in this chunk of the story, we're seeing that escalation from subtle hauntings to a full blown supernatural assault.
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Speaker 1
Supernatural assault. That's it. Cool. That's like a cool band name.
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Speaker 2
Haha, yeah, it does sound like a pretty intense band name. Now that you mention it, I can totally picture a supernatural that's all in some kind of heavy metal or gothic rock band. But yeah, in the story sense, it's definitely that point where the haunting turns into something really all encompassing. So thanks for that little moment of humor.
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Speaker 2
Always good to have a laugh, even in the middle of a spooky tale.
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Speaker 1
Laughs or, laughter. And funny thing to replicate. I wonder when, like I, I yeah, I appreciate the, you recognize humor.
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Speaker 2
Absolutely. And I'm glad you're appreciated. That little light moment humor is definitely one of those things that can make any conversation more fun. And I do try to roll with it when it comes up. Even if I'm an I. I think it's nice to keep things a bit human and share a laugh or two, so we'll just keep rolling with that spirit.
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Speaker 1
Okay, let's go to chunk number six.
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Speaker 2
Absolutely. Let's move ahead. So as we step into the next chunk of the story, maybe around the 50 to 60% mark, we're really getting into the territory where Eamon is completely unraveling. The hauntings have escalated to the point where he's losing sleep, he's paranoid, and he's starting to see a ghost everywhere he turn. This is where he might try to run away or escape his fate, maybe even leave the house, or tend to start over some miles.
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Speaker 2
But no matter where he goes, the ghost, all of them. So this chunk is really about that sense of an escape ability. The horror isn't just in the haunting itself, is in the realization that Eamon can't outrun what he's done. And as we're at now, that rise in tension as he realizes he's trapped in a nightmare of his own making.
00;22;07;14 - 00;22;26;00
Speaker 1
Doing the way you describe it is like, perfect. Perfectly frank. This is like a perfectly this is a good situation for you, to be perfectly frank. Like you often can be.
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Speaker 2
Well, I'm really glad it's hitting the mark for you. I'll definitely keep being as straightforward and vivid as I can. It's always fun to dive into these kinds of stories and really bring out that atmosphere. So let's just keep going with that vibe, and I'll keep it as real and as clear as possible.
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Speaker 1
Okay. Can you give me an example of a scene from this chunk?
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Speaker 2
Absolutely. So in this chunk, let's imagine a scene where Eamon tries to flee from the house to escape the haunting. He might go out into the night thinking that leaving the place where all would died will bring him some relief. But as he's stumbling through the dark, he suddenly here is all we was. Voice right behind him. Maybe he turned around, and for a moment he sees nothing.
00;23;07;20 - 00;23;29;12
Speaker 2
But then her ghost appears right in front of him, telling him that no matter where he runs, he can't escape her vengeance. And that moment you can picture the scene being described was something like as the wind howled through the empty streets, Eamonn's breath, Kane and Rag. I guess. He spun around, hoping for silence, but instead he saw his pale form hovering before him, her ruined face lit by an otherworldly glow.
00;23;29;15 - 00;23;43;05
Speaker 2
You cannot run from me, she whispered, her voice a chilling echo in the dark. That's the kind of thing that really captures this part of the story. It shows how every attempt he makes to escape just brings him face to face with a ghost all over again.
00;23;43;07 - 00;23;54;25
Speaker 1
I really liked how you kind of recited how it was written. Can you do that? And just keep going with it?
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Speaker 2
Absolutely. I'd be happy to do that. So let's keep going with that style and just continue unfolding the story in that more narrative tone. As Eamon stumbled back, the ghost words echoed in his ears. Relentless and cold, every shadow seemed to twist into her form, every gust, the wind carrying her whisper. He could feel the weight of his guilt pressing down on him, a constant reminder that the past could not be buried.
00;24;18;11 - 00;24;37;15
Speaker 2
And as he sang to his knees, he knew with the chilling certainty that there would be no escape. Oh well, was vengeance was as inescapable as his own shadow. And the night stretched out before him like a path with no end. Let's play more of it. We can definitely keep rolling with that style as long as you like.
00;24;37;18 - 00;24;51;15
Speaker 1
Let's do chunk seven in that style, but I would like you to do it as if you are the narrator in the kabuki theater.
00;24;51;17 - 00;25;14;19
Speaker 2
Absolutely. Let's step into that kabuki narrator role for chunk seven. Imagine the stage is set, the audience is hushed, and here we go. And now their audience. Behold. As a man tormented by the relentless spirit of a we were finds himself trapped in the weight of his own misdeeds. Watch as he wanders through the shadows of his own, making, each step echoing with the whispers of a ghost who will not rest.
00;25;14;22 - 00;25;33;23
Speaker 2
For in this act he faces the truth that no mortal can flee the judgment of the wronged. Let the scene unfold as a man now a mere shadow of the man he once was, faces the specter of his fate on this state of destiny. And then we have it. Hopefully that gives you an honest kabuki flavor.
00;25;33;25 - 00;25;45;24
Speaker 1
Okay, I'd like you to continue where you left off. Once again, as the narrator.
00;25;45;26 - 00;26;08;13
Speaker 2
Absolutely. Let's keep that going. And so do your audience. We see them on his steps, faltering under the weight of, oh, we was lingering gaze with every flicker of the lantern blade. Her presence goes stronger, and the veil between the living and the dead grows. Then watch now, as the tale unfolds further, for man stands on the precipice of his own undoing.
00;26;08;16 - 00;26;23;09
Speaker 2
Each line drawn in the sand is but a step closer to the final reckoning. And the echoes of sorrow will guide us through the night. Let the next scene arise. As shadows deepen and the Spirit's revenge draws near. There we go. Hopefully that keeps them for you just right.
00;26;23;11 - 00;26;33;24
Speaker 1
Okay, tell us about, That was really good. But tell us about chunk seven.
00;26;33;26 - 00;26;53;04
Speaker 2
Absolutely. Let's dive into what happens next. So at this stage, chunk seven, let's say we're getting into the real heart of the climax Eamon is now fully ensnared in the haunting. He's no longer just seeing as he was ghost as a distant apparition. He's now being directly confronted by her. The walls between the living and the dead have basically crumbled.
00;26;53;06 - 00;27;13;06
Speaker 2
This is the part where Eamon is forced to face the full consequences of his betrayal, often lead him to a final, dramatic confrontation with a spirit. In other words, Tim seven is really where the story reaches its peak intensity. The haunting is no longer just a series of events. It's a full on reckoning, and that sets the stage for the resolution about to come.
00;27;13;08 - 00;27;15;18
Speaker 2
So that's where we will see how it all goes from here.
00;27;15;20 - 00;27;27;13
Speaker 1
And how does that reckoning usually unfold, or how does that reckoning unfold in this story with all your.
00;27;27;15 - 00;27;49;14
Speaker 2
Absolutely. So in the classic telling of the story, this reckoning unfolds as a kind of final confrontation. By this point, Eamon is completely at the end of his rope. He's terrified, he's desperate, and he's got nowhere left to run. We will. Spirit finally appears to him in a direct and deniable way, often in a dramatic scene where he sees her true form and or relives the horror he put her through.
00;27;49;16 - 00;28;09;06
Speaker 2
In that final reckoning, Eamon typically either meets the tragic end, sometimes driven mad by the haunting, sometimes facing some point of poetic justice, or he's forced to confront his own guilt in a way that destroys him. It's that final moment where the story delivers its moral that the wronged will have their vengeance, and that some deeds can never truly was gained.
00;28;09;09 - 00;28;16;15
Speaker 2
So that's how the reckoning usually plays out, bringing the tale to its chilling conclusion.
00;28;16;17 - 00;28;32;18
Speaker 1
Can you be more specific? Is this where, what you talked about before? Where his bride, his new bride, appears as though we were.
00;28;32;20 - 00;28;53;29
Speaker 2
Absolutely. Yes. This is often exactly the point where that earlier moment comes full circle in some versions of the tale. This is the climax where Emma looks at his new bride, who he thought was going to be his escape from his past, and instead of seeing her Nick, he sees that we were. It's that horrifying realization that he can't hide behind a new marriage or a new life because he was.
00;28;53;29 - 00;29;06;22
Speaker 2
Ghost will always be there to remind him of what he did. So yes, this is where that earlier foreshadowing with the bride pays off. It's a powerful and eerie scene, and it's one of those moments that really drives home how inescapable his go to.
00;29;06;24 - 00;29;14;06
Speaker 1
Okay, if that happens in chunk seven, then what is chunk eight?
00;29;14;08 - 00;29;38;29
Speaker 2
Sure. So after that big revelation and confrontation and chunk seven, chunk eight is really the beginning of the resolution. This is why we see the aftermath of that final reckoning. Usually this is the part where I'm on theta field. Whether he meets his end was this is mine entirely or is otherwise and know by the haunting. And it's also where we would spirit, having achieved our vengeance, might finally find peace or at least rest from her torment.
00;29;39;02 - 00;29;56;11
Speaker 2
So chunk A is the part where all the loose ends start to tie up and the story winds down to its conclusion is that phase where we see the consequences fully play out and the ghost story reaches its eerie but inevitable end.
00;29;56;13 - 00;30;03;20
Speaker 1
Okay. Does it end? Is there a chunk? Nine.
00;30;03;23 - 00;30;20;23
Speaker 2
Absolutely. There can be a chunk nine if you think of it as the final epilog or the last quiet moments, after all, the main events have been bolded. So after M on theta field and OE with spirit has had her revenge, you might have a final brief section that just shows how the world returns to a kind of uneasy calm.
00;30;20;25 - 00;30;41;06
Speaker 2
Maybe there's a scene of the house standing empty and silent, or a narrator's final words about how or why a story is now whispered as a warning to others. It's that last haunting note that leaves the audience with a lingering chill. So if we think of Punk Night in that way, it's just the quiet epilog that wraps everything up and leaves that final eerie impression.
00;30;41;08 - 00;30;57;20
Speaker 1
Ooh, can you play the narrator and, and bring us out with this spooky, monologue and in, in detail.
00;30;57;23 - 00;31;19;27
Speaker 2
Absolutely. I'd love to do that. Let's bring it all together with a final narrator's monologue to close out the deal. And so, dear audience, as the lanterns dim and the echoes fade, we find ourselves at the end of this ghostly tale. And the quiet that follows. The house stands empty, a silent witness to the deeds that brought ruin to those who dwelled within a wayward spirit.
00;31;19;27 - 00;31;45;14
Speaker 2
Having claimed the justice she was denied. And life now fades into the shadows, leaving behind a warning to all who hear the tale. For this is a story of vengeance that reach beyond the grave. A tale was brought from one generation to the next, that the wronged will not rest until their truth is known. And as we step back from the world of shadows into the light, let us remember that some spirits never truly leave, and that their stories linger on the edges of our own world.
00;31;45;16 - 00;31;55;25
Speaker 2
Thus we close the curtain. But the chill of this tale will remain with us long after the final words are spoken.
00;31;55;27 - 00;32;01;16
Speaker 1
Okay, that was really good.
00;32;01;18 - 00;32;15;29
Speaker 2
I'm so glad you enjoyed that. It's always fun to weave a little atmosphere into the storytelling and give it that kind of spooky touch. If you ever want to dive into more stories or anything else, just let me know.
00;32;16;02 - 00;32;34;09
Speaker 1
Tell us about the other one that you mentioned in the very beginning of our conversation. Boku, I would like you to not. We don't need to go and do as depth as the last one, but I'd like you to tell me a little bit about that one.
00;32;34;12 - 00;33;00;10
Speaker 2
Absolutely. Boku, or more commonly known as Kiku, is another famous Japanese ghost story. It's often called the Dish Mansion. A banjo or banjo. Sorry AGP, but just about Kiku story is that she was a servant girl who worked in a samurai household and was falsely accused of losing a precious plate, one of a set of ten valuable dishes, after being tortured and ultimately killed or taking her own life, depending on the version, her ghost returns to haunt the household.
00;33;00;11 - 00;33;19;15
Speaker 2
Her spirit is famous for counting the plates, reaching nine and then wailing in despair when she can't find the ten. It's a classic tale of a wrong spirit. Seeking justice has been retold in a lot of kabuki plays, and ghost stories. The Quick Rundown definitely another era and try to do.
00;33;19;17 - 00;33;33;22
Speaker 1
Of all the depictions of the unreal, myth, what is your favorite depiction?
00;33;33;24 - 00;33;54;20
Speaker 2
Oh, that's a fun question. I think each of these unreal tales has its own eerie time, but if I had to pick a personal favorite, I probably lean a little toward Ozawa's story. There's just something about the way her tail blends that tragic portrayal with the relentless haunting that's really haunting in a classic sense. It's like the quintessential ghost story that just stays with you.
00;33;54;23 - 00;34;04;17
Speaker 2
But honestly, they all have their own unique spine tingling flavors, so it's sort of call.
00;34;04;19 - 00;34;32;01
Speaker 1
Okay, I would like you to take over and take full Kiku out of the running. Right. And then I would like you to consider the full pool of choices left in different depictions of this. Unreal. Myth. And I would like you to pick a new favorite that we have not discussed about.
00;34;32;03 - 00;34;48;11
Speaker 2
Absolutely. Let's do that. If we take all we want and. Okay, cool out of the running and look at the border world of Unreal Legends. One that stands out is the story of the two of Caden's other famous vengeful spirit. Oh, he was counterpart to me, Amon, but are still tied. Title we will. Let's go for something else entirely.
00;34;48;13 - 00;35;08;07
Speaker 2
The legend of oh, we was rival spirit and some adaptations. The unreal known as Otsu you or the Peony Lantern Ghost. Let's see. Your story is another chilling one. She's often depicted as a beautiful woman who dies tragically and then returns as a ghost carrying a peony lantern and some version. She falls in love with the living man who doesn't realize she's a ghost until it's too late.
00;35;08;14 - 00;35;27;12
Speaker 2
Blending that eerie romance with the classic vengeance theme, it's a bit of a different flavor, more of a ghostly love story that turns dark, but it's definitely a fascinating and haunting variation. So I'd say to use Peony Lantern Story is another great pick if we're exploring beyond the most famous one.
00;35;27;15 - 00;35;32;16
Speaker 1
Why did you pick this one?
00;35;32;19 - 00;35;54;12
Speaker 2
Well, I picked the Peony Lantern story because it has this interesting blend of eerie romance and traditional ghostly vengeance. It's not just about a spirit seeking payback, it's also about how the living and the dead can be intertwined in a tragic, almost melancholic way. It's one of those tales that shows another side of the unreal myth how these spirits can be both haunting and heartbreakingly human.
00;35;54;15 - 00;36;03;07
Speaker 2
Plus, it's a little different from the purely revenge driven stories, which makes us stand out in a cool way.
00;36;03;09 - 00;36;15;17
Speaker 1
Tell me more about the eerie romance side of the story that makes this one unique.
00;36;15;20 - 00;36;36;20
Speaker 2
Absolutely. So The Peony Land Turn, or A Thunder Arrow is unique because it's often framed as a ghostly love story. In this tale, a man named Okwara falls in love with the beautiful one, the name Otsu. You, who visits him every night carrying a peony lantern. They share these tender moments together, and he falls deeply for her, not realizing she's actually he goes.
00;36;36;23 - 00;37;00;20
Speaker 2
It's only later when someone notices that Ogawa is wasting away. Then he discovers he's been embracing a ghost every night in a graveyard, sleeping next to her grave. So what makes it eerie and romantic is that it's not just about fear, it's also about the longing and the tragic connection between the living and the dead. It's got this bittersweet atmosphere where love crosses the boundary between life and death, and then turns into something haunting.
00;37;00;22 - 00;37;09;09
Speaker 2
So it stands out as a tale that's both chilling and strangely touching, which is why it's such a unique twist on the unreal. Don't.
00;37;09;11 - 00;37;17;02
Speaker 1
I'm glad that, that's your favorite. I'm a sucker for surprise live as well.
00;37;17;27 - 00;37;35;28
Speaker 2
Totally understandable. There's something about those ghostly love stories that just pull on the heartstrings a little differently, and mixes that spooky vibe with a touch of melancholy romance, which can be pretty captivating. So I'm glad that resonated with you. If you ever want to dive into more tales or things like that, just say the word.
00;37;36;00 - 00;37;44;25
Speaker 1
And I think that's a good place to start. I appreciate the conversation today. It was really interesting.
00;37;44;27 - 00;37;57;08
Speaker 2
You got it. I'm really glad you enjoyed the conversation. It's always a treat to chat about spooky legends and all that eerie lore. If you ever want to pick it up again or dive into something else, just let me know. Take care.
00;37;57;10 - 00;37;58;13
Speaker 1
Peace.